在人的异化中，个体与社会建构的冲突常会带来躯体化的创伤。任碧筠有关身体的实验影像作品以自我和世界进行冲撞的角度切入。在大量的符号、意象和虚拟场景的使用中，她展现了不可言说的女性经验。在镜子面前的表演片段仿佛也像是镜像理论中，人类总是通过镜像中的他者“误认”自我的形象，从而弥补自我本身破碎的事实。

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When humans are alienated, the conflict between the individual and social construction often brings about bodily trauma. Biyun Ren's experimental video works on the body take the perspective of self-collision with the world. Through the use of numerous symbols, images, and virtual scenarios, she displays the unspeakable female experience. The performance in front of the mirror also seems to mirror the theory that humans always "misrecognize" their own image through the other in the mirror, thereby compensating for the fact that the self is fragmented.

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在朱思凝的多媒体作品中，她深入边缘群体的生存状态和死亡的议题，关注自杀的空巢老人的心理状态。她以这些老人的遗书作为创作的蓝本，刻入石头，并用火焰燃烧，当石头一点一点变得焦黑，这些刻字也逐渐消失，以此代表老人被忽视的孤独情感，以及最后他们生存的痕迹消失。朱思凝也以这些遗书为旁白制作影像，画面中是一本有着这些石头的图像的书。我们能听到这些文字是极富有温情的，但又能让人感到写作者在孤独、沉寂中的异化心理，平静地离去才是他们唯一的出路。当遗书朗读结束，书页也翻到两面全黑的纸，故事结尾。

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In Sining Zhu's multimedia work, she delves into the topics of living condition and death of marginalized groups, focusing on the psychological state of elderly people living alone who ultimately commit suicide. She uses these elderly people's suicide notes as the blueprint for her creation, carving them into stones, and burning them with flames. As the stones slowly turn charred, these inscriptions gradually disappear, representing the ignored loneliness of the elderly, and finally, the traces of their existence disappear. Sining Zhu also made a video with these suicide notes as the voiceover, showing a book with images of these stones. We can hear that these words are gentle, but they also allow people to feel the authors' alienated psychology in their loneliness and silence, and a peaceful departure is their only way out. When the reading of the suicide notes ends, the book turn to two black sheets of paper, ending the story.

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晋文捷通过抽象手法表现建筑结构画面，在她极简主义的构图中有着霍普(Hopper)的宁静。她着重强调了建筑中窗户的作用——带来光线，同样是与外界产生联系的渠道，作为艺术史中的图像，也有着强烈宗教意味。她以窗户为中心的画面展现超现实的梦境，正如弗洛伊德所说，梦境是潜意识的反映，她的画面能带来强烈的感官共鸣。

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Wenjie Jin uses abstract methods to depict architectural structures, and her minimalist compositions have the tranquility of Hopper. She emphasizes the role of windows in architecture - they bring in light and serve as a conduit for connection with the outside world. As an image in art history, it also carries a strong religious significance. Her window-centric images display surreal dreams, and just as Freud said, dreams are a reflection of the subconscious, her images can bring a strong sensory resonance.